Entries Tagged as ''

Survivor: Fans vs. Favorites, Week 4: Survival of the Weakest

by Zhillbear

Some of the Faves who voted against Yau-Man last episode are now wishing they’d kicked off Eliza instead. In particular, James and Ozzy think it’s stupid that they kept one of the weakest players, who’s now sick. (Oh, come on, Yau could’ve gotten sick, too.) When Eliza points out to them that they’re talking about this in her presence, James, obviously a man of deep compassion, says, “I know you’re sitting right there, but you’re about to die.” She says hey, you could be supportive, and James says, “You’re sick AND you got attitude?” Eliza tells the camera “I hate these people” and that she almost hopes they get sicker than she is and have to be removed from the game.

Meanwhile, folks on the Fans tribe think Chet’s their weakest link because he’s exhausted and not pulling his weight, and Mikey tells the camera, “Chet is gone.” Of course, such statements spoken so early in an episode rarely come true — it’s like an episode of House, where a diagnosis in the first 10 minutes is quickly disproved when the patient spurts blood from multiple orifices.

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Getting Lost: "The Constant" Review

Posted by Mike and johnnysweeptheleg

Lost_The Constant

Constants? Variables?! Note to the makers of Lost: We had finally managed to remove the final vestiges of high-school math and science from our heads. Seriously, ROYGBIV and SOHCAHTOA were merely gibberish to us. Then you go and send Desmond on a quest to make sure his parents kiss at the Enchantment Under the Sea dance — or something like that (our memory doesn’t function well when we’re upset). But … the phone conversation between Desmond and Penny was a nice save, so you’re forgiven. Just don’t let it happen again. On with the recap.

johnnysweeptheleg’s Lost In A Moment:

My brain hurts after this one. If you have to ask why then you clearly didn’t watch the episode!

Poor Frank flying a helicopter looks a lot like me playing the old Choplifter video game. It’s ugly. They hit some turbulence on the way back to the freighter, which somehow induces time travel instead of vomiting. Suddenly, Desmond’s consciousness and mind have switched with his 1996 self, causing him to make Unabomber jokes and what he thinks are timely Bob Dole impressions.

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Don’t Let The Door Hit You On Your Way Out On American Idol

by WindUpDoll

These results shows are sheer artistry in their filler. There is absolutely no reason to watch the results show, except to find out who gets the boot. And to see the cheesy group number. But, if Idol only gave us what we wanted, the show would last about 5 minutes.

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Getting Lost: "The Constant" Preview

Posted by Mike and johnnysweeptheleg

In last week’s episode, “Eggtown,” we got more questions than answers. Will the same hold true this week in “The Constant”? We’re going to go out on a limb and say, “Um, yeah, probably.”

The previews seem to indicate that the episode will focus on issues dealing with space and time, and their effects on the inhabitants of the island — thus pitting our love of Lost directly against our hatred of science. Which will win out? And who the hell is Minkowski? I have a feeling that, by tomorrow morning, we’ll have answers to both.


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ANTM Gets Going, New York Style

by WindUpDoll

America’s Next Top Model is shaking things up by bringing everyone to New York City. Kim insists that she’s not dumb, and she feels really special. The girls meet at a cafe and get a note from a messenger with directions to the Top Model house. There’s a lot of screeching.

There’s a lot of inspirational sayings on the walls and the floor. For some reason this cycle, Tyra has decided to give the girls one big room with bunk beds and then another room with a gigantic bed to be shared. Well played, Tyra — there hasn’t been enough girl on girl action on ANTM in the past couple of seasons. [Read more →]

The Beginning Of The End On Project Runway

by WindUpDoll

We get Heidi ‘introducing’ the Fashion Week challenge. Tim comes out on the runway and tells them that he will be checking in on the contestants. They’re going to have a toast before heading off to the Fashion Week. Christian is 21 and going to Fashion Week. That’s FIERCE!

Tim first visits Christian. He lives in New York, so Tim doesn’t have far to go. Tim, for some weird reason, drives. If Saturn wasn’t sponsoring the show, you know he’d be taking the subway. We get to see his apartment, which is New York cozy, and pictures of his childhood. First he did hair, and then he went to design school in London, which brought him to Project Runway. Tim takes a look at his collection so far. He encourages Christian to be sure he’s not going TOO far. His finale piece is a pair of feather pants. Tim’s parting words are ‘work hard, think harder.’ [Read more →]

American Idol Girls Bring The Farrah On Their 70s Night

by WindUpDoll

Ok, this season of American Idol is finally getting juicy. VoteForTheWorst.com is reporting, not confirming, mind you, but reporting that apparently David Hernandez used to be a gay stripper. Not that that fact should disqualify him from becoming American Idol, but it’s finally some dirt on this squeaky-clean season. Oh, and Robbie’s ‘hair,’ well, TMZ says he was wigging it last night. Thank you, Internet, for bringing us the dirt.

Carly is up first this week, and although she owns her own tattoo shop, she also works at an Irish Bar. Way to fight that stereotype, Carly. She’s singing ‘Crazy On You’ — you know, good Heart, not the crappy ’80s Heart. She sounds good, which isn’t surprising since we heard her sing Heart well in Hollywood week. A different Heart song, but a Heart song nonetheless. I’m liking her more singing this than whatever she sang last week. Randy didn’t like the beginning, but liked it once she got into it. Paula can tell that she had fun; nothing but the love from Paula. Simon likes it better than last week, but still doesn’t think that she’s chosen the exact right song. He thinks that when she does, she’s going to be the girl to beat.

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10 Items Or Less: Illegal Alien

Posted by Ryan

10 Items Or Less

Leslie is taking very creepy photos of G&G employees for a promotional calendar. This year, they’re American historical figures. Todd is Paul Revere, the first American sex symbol. Sex sells. Sex sells food. Sex sells liverwurst and ant killer. Leslie gives Todd $300 to take his shirt off.

Ingrid and Amy are arguing about who gets to be Betsy Ross. Ingrid wins out, and Amy is stuck with the oversized frumpy Martha Washington outfit. The right woman won because Ingrid is a smoking hot Betsy Ross. Todd invites Ingrid into the freezer to, you know, have sex.

Leslie doesn’t want the calendar to be about history, but about “her story,” so he puts Ingrid on the calendar’s cover. Amy’s jealous that Ingrid looks awesome, even if she does look like a “colonial stripper.” Amy and Leslie get into an argument about who’s more American. It seems Leslie has run for Senate six times, and lost.

Ingrid’s not very comfortable with being a sex symbol, having random customers come up to compliment her on her cleavage. And it seems Ingrid doesn’t know anything about American history, as she has no clue who Betsy Ross is. Embarrassed, Ingrid runs off crying.

We find out that Ingrid’s not really an American citizen. Leslie’s dad hired her with a fake social security number. She was born in Poland, but her family crossed the border from Canada into the U.S. Most people just assumed she wasn’t too bright because she was home schooled. Amy overhears that Ingrid is an illegal alien, and calls the police. Officer Chet shows up and Amy forces him to arrest Ingrid. But Ingrid doesn’t stay arrested for long, and she hides out in the dairy case.

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Jericho Nuke Notes: Jennings & Rall

Posted by Ryan

Jericho Jennings & Rall

Jericho, Season 2, Episode 3 “Jennings & Rall”

When Jake discovers that the government official who is supposed to protect them is actually withholding a vaccine for the Hudson River virus, he and the Rangers take their survival into their own hands.

We learn that Ravenwood is a subsidiary of Jennings & Rall. It’s like their own private army. Jake was once an employee of Jennings & Rall, back when he was driving supply trucks in Iraq. Jake’s convoy came under attack, and they returned fire and some civilians were killed. But there was no investigation or repercussions. J&R kept the whole episode quiet.

Though the government denies it, Hudson River virus has crossed the Mississippi River. Fall River, Missouri, is under quarantine and 220 people have died there in the past week. Dale was able to acquire a few thousand doses of the vaccine through the black market, but Ravenwood has orders to confiscate and destroy all vaccines that don’t come directly from J&R (hey, they’re just concerned about public safety). Seems like depriving people or whole towns of life-saving vaccinations is a good way to get people to cooperate … or just get rid of them altogether. So if there’s no danger of the virus west of the Mississippi River, then why has everyone in J&R already been inoculated?

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One Tree Hill: The Slippery Slope Continues 8

Posted by: haro1d

Last night’s recap is quick and easy: While Lucas, Nathan and Skills tried to helm a victory for the Ravens, the ladies — Peyton, Brooke, Haley, Mia and Lindsey — managed to get stuck in the school library. There, things turned part John Hughes movie, part ’70s sitcom, as Mia tried to get background on everyone in the room, and Peyton and Lindsey tore each other apart and put each other back together again. Oh, and Nathan was on the brink of telling his wife about the Nanny’s inappropriate conduct, but Carrie stepped in at that moment and tendered a verbal resignation, making eyes at Nathan even as she hugged Haley with the news. (I know, I know — that fiend! Right?)

Garry Marshall, recalling his stint as a producer of sitcoms in the ’70s, admitted on at least one occasion that when he and his colleagues were stuck for an idea or had a very limited budget for an episode, they would contrive what came to be known as a “stuck-in-a” show. Stuck in an elevator. Stuck in a jail cell. Stuck in a basement. It was a chance to get the characters together in close proximity, let them abrade each other’s emotions and see what it would reveal. And because there was always the accompanying crisis of their physical predicament, no matter what was said, the characters had to work together in the end, to secure their eventual release. It was an utterly predictable formula, but a dependable one nonetheless.

So why didn’t it work so well in last night’s OTH? Sure, Peyton and Lindsey bonded over dead parents — they had to about SOMETHING, of course — and in that manner, it sufficed, but the whole episode in the library felt rather uneven and not believable. And by that I mean even less believable than usual.

And I think it’s the newcomers.

I’m not sure who that Mia character was supposed to be last night, but she definitely wasn’t the mousy person we’ve seen so far. Puppy-dogging around Peyton, barraging her with questions, being uncomfortably assertive — if this is an evolution of Mia as a character, it’s pretty artificial, even by OTH standards.

On the other hand, Lindsey is consistent in her role, but something just doesn’t convince that she’s as affected by all of this high-school-style melodrama than her character is being made to seem. I’m just not buyin’ it. There’s a lot of drama going on in that triangle of her, Peyton and Lucas, but she seemed pretty secure in herself when they introduced her into the show, and since then, she’s gradually inflated her insecurities past the point of credibility.

This isn’t necessarily the fault of either actor — it’s just the material they’re being given. Insecurities ebb and flow on shows like this with all of the force of the incoming and outgoing tides, and they’re often like the McGuffins you see in suspense films. They’re not intrinsically so important, but they help to move along the plot. If it serves the story arc to have Mia suddenly getting guts, or Lindsey turning into an insecure mess, then let’s have at it: It just pushes us further down the slippery slope to the show’s end.