Entries Tagged as 'Sci-Fi & Fantasy'

“Fringe”: In Which We Meet Mr. Jones

Posted by SH

Well, between presidential debates and elections, and the occasional rerun, it’s been awhile since we investigated the Pattern. What a treat then to return with a show that shakes up what has become the standard Fringe formula over its first few episodes. We don’t start with some far-flung incident involving random people, although it seems that way at first.

A team of SWAT-type dudes is searching for something at a port in Germany, but comes up empty. Cut to Broyles’ office where the SWAT-type leader, Agent Loeb, is reporting to his boss that they didn’t find anything, when all of a sudden he begins convulsing and is rushed to the hospital. The doctors cut him open and find a nasty parasite clutching his heart. At first I thought it looked like a Venus Flytrap wrapped around his ticker, but later it reveals itself to be more worm-like. Either way, it’s nothing your average cardiologist could fix.

Good thing Walter Bishop is around. And no, this isn’t a progression of some shadowy experiment he worked on in the ’70s; this is something he’s never seen before. And he’s very excited about figuring it out, if he could just get a piece of gum! The first break in the case is brought forth by Agent Loeb’s wife (played by notable character actress Trini Alvarado, which suggests right off that this isn’t a throwaway role), who gives Olivia a piece of paper with a bunch of numbers on it. The numbers turn out to match a batch of case files worked on by people all at the same FBI office — Olivia’s old office, where she and John used to roam. But the info involved would have required a higher security clearance than John had, seemingly eliminating the most likely culprit. This plays as a red herring for this particular episode, but is set up to be important in the long run.

Olivia has to hop a plane to Germany to talk with the man who might know something about how to remove the parasite, but the authorities there are loath to let him talk with anyone. She somehow finesses the warden — probably by speaking a little deutsche, and maybe because she looks like Anna Torv — into setting up a meeting. But the doctor himself — the Mr. Jones of the episode title — also has a stipulation. He wants to talk with an old associate of his and ask a question. This would be Mr. Smith. The same Mr. Smith who is gunned down in a raid by Broyles’ squad. Shot in the head. Oops. But Walter figures out a way to get the information from the deceased, and it again involves putting his son in an uncomfortable situation. They hook up their brains electronically, give them both shocks and apparently Peter will be able to see the man’s brain waves in response to whatever question is asked. [Read more →]

“Fringe”: Power Hungry

Posted by SH

What if one of those geeks from an ’80s movie grew up to have superpowers? That’s how much of this episode plays, as we follow a painfully awkward delivery boy who pines away for a receptionist he sees on his routes. He also — unbeknownst to him — has the power to control electricity, which leads to him often inadvertently breaking company equipment and — after seeing his object of affection flirt with another man — bringing an elevator with her in it crashing to the ground. To drive the ’80s feeling home, we’re subjected to an excruciatingly long excerpt of REO Speedwagon’s “Can’t Fight This Feeling.” It’s like, hey, I’m sitting here at home watching a cool show on TV and all of a sudden a county fair breaks out.

Sorry, was that mean? OK, then, state fair.

We know something’s going down at the office building after we catch a glimpse of The Observer getting off the elevator. While the delivery boy, Joseph, is riding the lift with his would-be girlfriend, she discovers his cell phone, which has pictures of her all over it. He gets so flustered that he causes a power surge that affects the whole building and kills everyone on the elevator but him. [Read more →]

Scariest Scary Movie #19 - Aliens

Aliens (1986, Sigourney Weaver, Michael Biehn, Lance Henriksen)

They mostly come out at night… Mostly.

Here’s what happens: A bunch of space Marines challenge Ripley’s (wo-)manhood and goad her into returning to the alien planet, which has been colonized. Some little girl, Newt, is found wandering. Paul Reiser wants to keep a face-hugging alien as a pet. Bill Paxton is awesome. Ripley falls in love with John Connor’s father. Ripley saves the day.

Most Awesome Scene: The alien detector only measuring a 3-D world on a 2-D plane. Ripley with guns and a flamethrower. In the room with the face-huggers. Ripley fights the queen:

The Word: This movie is a tribute to awesomeness, awesomeness in every scene. A true sci-fi action horror classic. Oh and did I mention awesome!?!?

“Fringe”: The Arrival

Posted by SH

It was just a matter of time, I suppose, before a series that owes so much to The X-Files would come up with its own version of Cigarette Smoking Man. For Fringe, that is The Observer — a bald bloke with no eyebrows who bears more than a passing resemblance to Ed Harris in A Beautiful Mind. Well, except for the eyebrows. Actually, he reminded me initially of the little dude Charlotte married on Sex and the City. Did he have eyebrows? Can’t remember.

We meet The Observer at a Brooklyn diner, ordering everyone’s favorite — roast beef, as raw as possible, water at room temperature, and 11 jalapenos. Mmm, just like Grandma used to make. As he calmly devours his raw meat and observes the construction site nearby, suddenly a rumbling takes place, followed by an explosion. Everyone else runs away, but The Observer simply puts on his ’60s G-man hat and speaks these words into a communication device: It has arrived.

“It” turns out to be a cylinder that looks a lot like the Gherkin building in London. Nothing like it has been seen since 1987, when a similar item mysteriously appeared at Quantico before just as mysteriously disappearing. Walter nearly shutters when he sees the thing, then goes on a bit about how he was asked to build a missile that could tunnel through the Earth’s core to reach a target on the other side of the world. He doesn’t say whether this is that concept perfected, but he is awfully insistent about working on it in his own lab. Peter has had enough of his father’s antics — which include reciting the chemical formula for root beer at 3am — and tells Olivia he wants out. Tired of playing baby sitter to a crazy old man, he wants to be free to pursue whatever shiftless course he was treading before she snatched him up. She persuades him to give it one more chance and off they go. [Read more →]

“Fringe”: The Ghost Network

Posted by SH

Ever since its fairly original pilot, Fringe has been checking off a greatest-hits lineup of paranormal storylines. Last week, it was the bit about cloning. This week, it’s the man-is-envisioning-disasters-before-they-happen story. But thankfully the writers keep finding other ways to keep things fresh, sprinkling plot twists and bits of mystery about the characters’ pasts throughout.

We start off with a guy — let’s call him Roy, because that’s his name — going to a confessional, asking his priest to take away the pain. He’s also saying something ominous about a bus. Cut to — uh oh — a bus where a well-dressed man calmly puts on a gas mask and opens a container of noxious fumes. He exits while the other passengers are left to be encased in some strange material that puts them in a fossil-like state. Later on, after the mystery behind this is revealed, it’s not really clear why such an elaborate scheme was perpetrated. It turns out one of the passengers — a DEA agent — was carrying something that someone else wanted. Allegedly, in her briefcase. So why not just mug her or something? Then again, that wouldn’t exactly make it Fringe-worthy.

Olivia is called to the scene from the funeral of her lover/traitor. How long ago did he die, exactly? This has to be the most delayed funeral in TV history. But it’s good for one line, and for giving the heretofore underused Kirk Acevedo the spotlight. When Olivia laments that John “told me he loved me,” Acevedo’s character Charlie looks pained, and says, “I didn’t want to have to tell you this. But he told me he loved me, too.” It works perfectly, because at first it seems wholly inappropriate, then almost immediately hilarious. Favorite moment of the show, by far. And let’s get that petition going to get Acevedo cast in a movie as Al Pacino’s son.

Peter and Walter are having breakfast in a diner when they get the call. Walter answers, flummoxed over this newfangled cellphone thingie, because Peter is busy threatening a mysterious photographer who has been following him. If the snapper tells anyone he’s back, he says, there’ll be hell to pay. Who might be interested is still a mystery.

An anonymous tip comes in about the dude from the beginning with the visions, and Walter identifies him as having psychic ability. And as a former guinea pig in one of his experiments. There’s a magnetic compound in his blood that allows him to intercept psychic messages — an offshoot of something Walter once worked on called The Ghost Network, which the government was interested in for developing new methods of communication among its agents. So now it’s just a matter of tapping into the guy’s brain to hear what comes next. This leads to an unfortunate sequence where Peter and Olivia visit the Bishops’ old house to retrieve an essential piece of brain-reading equipment hidden in one of the walls. It could have been a nice, revealing look into Peter’s past, but instead is an awkward bit of nonsense, in which Peter proceeds to jimmy open the door in front of an aw-shucks Olivia (as an FBI agent, you’d think it would take more to impress her; and besides, hello, law-breaking in progress!) and then needlessly tool around the house while the owners are gone. What was the point, dramatically, of nobody being home? To show Peter is a rebel? And the ultimate tease is Olivia asking about Peter’s mother, and him telling her in lazy screenwriter speak that “That’s a story for another time.” Or another episode, you mean.

The brain tapping works, and Olivia runs down to a train station to disrupt an exchange between yet another crooked federal agent and someone else in a suit. Said agent is killed by his fellow exchanger, and then the killer throws himself (but not his package) in front of a bus instead of facing his FBI captors. What was worth all the killing and plot contrivances? Who the hell knows? It’s circular, whatever it is. And it finds a final resting place at Massive Dynamic, where it apparently is part of a puzzle to something that reveals a picture that looks like something. Yeah, kinda vague. But it has a connection with the maybe not-so departed John Scott, whose dashing corpse lies in state at the company’s lab, apparently still awaiting questioning.

At this point, I’m more interested in what’s up with Peter, who from the looks of things has some kind of secret-society past to avoid. And even if you can’t tell where the Massive Dynamic/The Pattern storyline will ultimately end up, you can kinda see the next few steps. So we’ll wait dutifully for that to unfold while we uncover more dirt on Peter and look for more signs that he and Olivia want to jump each other. You know it’s so on with those two.

“Fringe”: The Same Old Story

Posted by SH

You know, the more this episode went on, the more I was reminded of an episode of that short-lived WB series Birds of Prey. And that’s never a good thing.

But among the detritus of that failed Batman spinoff, there was a surprisingly effective story about a rapid-aging human who burns through his life span in a matter of days. He was bred to be an assassin, one who does not have to wait a couple of decades before being ready for battle. OK, it also sounds a little like Blade Runner and Attack of the Clones. Have we already run out of ideas by Episode 2, J.J.?

Nah. Like some wise man once said, there are only about seven original stories out there. So let’s judge on the telling if not the content. Starting things off in a dank motel room with a chatty hooker and a nervous guy filling up hypodermics in the bathroom is a smart move. But before he can do whatever it is he does, the girl starts convulsing with what looks like an alien trying to get out of her belly. (She’s also in nothing but bra and panties, mirroring Anna Torv’s outfit in the pilot, which confirms my early theory that Fringe will find a way each week to get at least one woman in her skivvies.) He drops her off at the hospital, where she proceeds to give birth and die. And whatever it was she birthed was worthy of a scream-cut to commercial by the medical professionals. [Read more →]

Scary with the “Fringe” on Top

Posted by SH

Fair warning: I’m not a Lost watcher. I’ve only seen a couple episodes of Alias (who could resist that post-Super Bowl ep?). So I come at Fringe a relative J.J. Abrams neophyte. But I think that’s a good thing. Never will you hear me comparing whatever mythology Fringe ends up following with the tangled tapestry of those island survivors. On the down side, if there’s something along the lines of a smoke monster crossover, I may not get it.

Which brings me to the opening of Fringe. There’s an airplane going through some rough weather — wait, what? That sounds familiar, you say? Well, don’t worry, the airplane is really just a jumping-off point. There are no survivors, because their faces all melted. But the plane still managed to land in Boston on its own, which makes it possible for our fearless FBI agent Olivia Dunham (Aussie newcomer Anna Torv) to leave her tryst with fellow agent John Scott (Mark Valley) to go investigate. He comes along, too, and the pair have to pretend their interaction is strictly PG-rated, at the risk of offending their superior, Charlie (Kirk Acevedo).

Some sleuthing by Olivia and John lead them to a suspicious storage facility, and a foot chase that ends in an explosion. Olivia is knocked out, but John isn’t so lucky. He’s alive, but his skin is transparent, which makes for some icky viewing (good thing we had those melted faces to get us ready!). But Olivia is determined to find the truth, and she stumbles onto a scientist who conducted an experiment that might be relevant to what happened on the flight and what is now happening to her lover. Trouble is, Dr. Walter Bishop puts the “mad” in “mad scientist.” He’s been locked up in the loony bin for decades, and the only person with access to him is his equally brilliant yet troubled — and estranged — son, Peter Bishop (Joshua Jackson).

Here’s where Fringe starts to settle into its groove. [Read more →]

True Blood: Southern Vamp Meets Sookie

By Elaine B

Anna Paquin and Stephen Moyer with director Alan Ball

There is something very wrong in the rural Louisiana town of Bon Temps. Women of questionable moral character are being strangled and, it turns out, they all had a history of being fang-bangers*. There are a few bad apples harvesting and dealing V-juice** and, oh yes, a vampire named Bill has returned to claim his ancestral home and a bottle or two of Tru-Blood*** at the colorful (and I’m being polite here) roadhouse Merlotte’s. There he catches the eye of blond, leggy, mind-reading waitress Sookie Stackhouse. And what does she do? Walk right over to take his order and, about as quick as a vamp can give a girl that come-on vibe, get herself smack into the middle of one heck of a mess of trouble. Not that she falls for his hypnotic charms, since along with her mental power come an immunity to his. But, after living in a world filled with the cacophony of all those thoughts flowing into her head, being in his presence brings blessed silence. And since she can’t read his thoughts, she can finally be herself.

[Read more →]

Comic-Con ‘08: TV on the “Fringe”

Posted by SH

J.J. Abrams brought a sneak peek of his new offering, “Fringe,” which bows on FOX Sept. 9. The first scene is a plane in distress, but no worries, there is no deserted island on the horizons. Smoke monsters, maybe, but none was visible in the pilot. The plane manages to land, but not until everyone on board is turned into goo so that all that’s left is skeletons. It’s a harrowing sequence, assuring that the effects will be feature-film quality. Newcomer Anna Torv is among the FBI agents called to investigate, and things quickly become personal when her partner both in and out of uniform is infected with the same mysterious ailment that killed the passengers. To save him, she needs to dig up an old fossil of a scientist who’s been holed up in the loony bin for almost two decades. The only way to get access to him is through his son, a troubled genius in his own right played by Joshua Jackson. Abrams has admitted he’s going for an “Altered States” vibe here, and that’s driven home further by the presence of Blair Brown, who starred in the trippy 1980 shocker and shows up here as a corporate exec whose motives are not yet clear. There’s definitely a larger conspiracy afoot, but Abrams promises not to lay it on so thick that a casual viewer will be, ahem, lost.

Cloning Success?

Posted By RabbitEars

As you may have heardClone Wars 1, the Clone Wars have started up again. George Lucas, who “felt there were a lot more Star Wars stories left to tell” (and money left to make), is further exploring this period of the famed sci-fi saga’s history in a new animated series set to debut this fall on Cartoon Network. The network had already aired an impressive series of traditionally animated shorts dealing with the Clone Wars a few years back, in anticipation of Episode III, but this new series — which debuts following a theatrical release August 15 — enters Lucas’ seemingly favorite realm of computer-generated animation. This type of animation was sometimes overdone in the SW prequels trilogy, but from the looks of these pictures it should work well for this series. It has to be better than Droids.

Clone Wars 2

Clone Wars 3

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